Col B.
film
DeadYet? – Summer in Edinburgh
Inspired heavily by the early work of Guy Ritchie:
Col B.
DeadYet? – Prelude/Intro/Trailer
Shot on Blackmagic Cinema Camera with a Xeen 24mm T1.5 Cinelens
B Cam – Canon 5Dmk3, MagicLantern RAW w/ Tokina 11-16 and Zeiss 35m Flektagon F2.4
– Col B.
Forsaking Shadows
New clip dropping 11.3.2017 for Gold Coast legends Kaosphere. Trailer below:
– Col B.
Stuck and/or Dead Pixel Removal – Premiere Pro/After Effects
Hey everyone! I’ve created a new tutorial on how to quickly remove noise, stuck and/or dead pixels. Check it below, and if you like it please subscribe to my channel as more of them will be coming!
– Col B.
The Darkest Road
I’m beyond proud to present the video I created for Australian Metalcore/Powercore legends A Breach of Silence. Logistically this was one of the biggest clips I’ve created in my time working within the Music Video medium. Here’s a few notes on the filming locations, process and equipment used:
Story Elements:
The story footage was shot on a private production farm in the outer Brisbane area. With the help of Jacob Schneider (Actor/Photographer) and William France (Photographer/Musician) we headed off into the dark of night toward a private farm near Caboolture. I’d always wanted to film at a location with greenhouses so it was nice to finally make that happen. All moon light in the story footage is provided by a 1000 Watt Lupolux light at 2 O’clock, obviously the light would move with framing etc. I won’t lie it was amazing to finally get to film a big bonfire as well, another shot I’ve wanted to get for years! The only set specific gear was the Lupo and 2 x Fresnals for the greenhouses.
Dan’s Treatment:
Huge thanks to Frankie Nasso for booking someone to get the shots for us. Cheers!
Band Performance:
This part of the shot was logistically more intense than anything I’ve had to create thus far (bigger and better I hope). I recruited a close friend and very competent cameraman Adrian Pagano to assist on the night with lighting. Travelling further north, this time to Elimbah, we made our way to a HUGE private property and setup. The following lighting fixtures were used:
– 1200 watt HMI primary (lightstar)
– 1000 watt Lupolux
– 650 watt Lupolux
– 2 x 350 watt Fresnals (under Green GEL)
– 3 x Honda 20i Generators
Here’s a list of gear used of the shoot for anyone keen:
– Canon 5Dmk3
– Zeiss 35mm Flektagon f2.4
– Zeiss 50.m T*Planar f1.4
– Tokina 11-16mm f.28
– Genus Fader ND’s
– SmallHD DP4 EVF
– Jag35.com rigs
– Magic Lantern raw
– a shit ton of high speed cards
– home made snorii cam, the death rig
– Col B.
Train it! Fitness Series
Finally fitness related content for my blog as I figure it’s about time I shared some of the information I’ve learnt over years of weight-loss.
The following is a first person, kettlebell’s eye view, of training. This is just for a bit of fun. All created using a GoProHDHero2
– Col B.
LIVE WORKS PART 3 – YOU SAID IT….
Feed Her to the Sharks Live at Thriller, Brisbane – 30/11/2013
Song: Fuck Melbourne.
Album: Savage Seas (2013)
Please hit the LIKE button and SUBSCRIBE to our channel!
https://www.facebook.com/feedhertothesharks
All music played by FHTTS.
Recorded by Ean Redman
Mixed by Arin Ozdemir
http://www.facebook.com/thecreativeau
Created by Col B Cadell Photography & Video:
http://www.colbcadellphoto.com
http://www.facebook.com/colbcad
– Col B
Awaking Prophecy
Recently I had the chance to film the first video for Melbourne based Death Metal act ‘The Ophidian Ascension’. Making the most of Magic Lantern’s new raw capability, I decided to use it for the shooting and shot the whole production in a combination of 24fps and 60fps. All footage was captured on a 128gb KomputerBay memory card. Two versions are available below, YouTube and Vimeo. I recommend the Vimeo one if you want the true clarity and colour I selected as YouTube seems to mute some of the tones.
The Ophidian Ascension – Awaking Prophecy (Official Video) from Col B Cadell on Vimeo.
– Col B.