The Darkest Road

I’m beyond proud to present the video I created for Australian Metalcore/Powercore legends A Breach of Silence. Logistically this was one of the biggest clips I’ve created in my time working within the Music Video medium. Here’s a few notes on the filming locations, process and equipment used:

Story Elements:
The story footage was shot on a private production farm in the outer Brisbane area. With the help of Jacob Schneider (Actor/Photographer) and William France (Photographer/Musician) we headed off into the dark of night toward a private farm near Caboolture. I’d always wanted to film at a location with greenhouses so it was nice to finally make that happen. All moon light in the story footage is provided by a 1000 Watt Lupolux light at 2 O’clock, obviously the light would move with framing etc. I won’t lie it was amazing to finally get to film a big bonfire as well, another shot I’ve wanted to get for years! The only set specific gear was the Lupo and 2 x Fresnals for the greenhouses.

Dan’s Treatment:
Huge thanks to Frankie Nasso for booking someone to get the shots for us. Cheers!

Band Performance:
This part of the shot was logistically more intense than anything I’ve had to create thus far (bigger and better I hope). I recruited a close friend and very competent cameraman Adrian Pagano to assist on the night with lighting. Travelling further north, this time to Elimbah, we made our way to a HUGE private property and setup. The following lighting fixtures were used:
– 1200 watt HMI primary (lightstar)
– 1000 watt Lupolux
– 650 watt Lupolux
– 2 x 350 watt Fresnals (under Green GEL)
– 3 x Honda 20i Generators

Here’s a list of gear used of the shoot for anyone keen:
– Canon 5Dmk3
– Zeiss 35mm Flektagon f2.4
– Zeiss 50.m T*Planar f1.4
– Tokina 11-16mm f.28
– Genus Fader ND’s
– SmallHD DP4 EVF
– Jag35.com rigs
– Magic Lantern raw
– a shit ton of high speed cards
– home made snorii cam, the death rig

– Col B.

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Constructing with Arin……

Recently I got together with a great musician and friend of mine Arin (The Construct) and decided to play around with ML raw and my recently acquired KomputerBay 128gb 1050x card. Here’s what came of it:

Gear Used:
Canon 5D mkIII
Zeiss T*Planar 50mm f1.4
Zeiss Jena Flektagon 35mm f2.4 MC
Schneider filters
Jag35 rails
Manfrotto tripod
SmallHD DP4 EVF

– Col B.

Enter the Chasm – A Night with The Amenta

Australian extreme metallers The Amenta recently took the stage at one of Brisbane’s best music institutions, Crowbar. I decided to gear up, take along the 5Dmk3 as well as a newly purchased SmallHD DP4 EVF. I also had a freshly installed build of MagicLantern and took the chance to make this clip in RAW. Also worth noting is that I didn’t ask permission to film the band so if they aren’t stoked with me having this up, then let me know. The clip is just below with a bit of me talking about the SmallHD and firmware updates just following.

The Amenta – Live @ Crowbar, Brisbane (shot in ML RAW) from Col B Cadell on Vimeo.

All Music and Performance by The Amenta

Using the the SmallHD DP4 EVF for the first time live was a true pleasure. The DP4 is a small but fully functional field monitor with pro features such as Peaking, Focus Assist+, False Colour and a whole heap more. With a relatively simple setup and short programming time (if needed) it really gets into the work quickly. If you get the chance to test one I recommend it, even more so with the EVF attachment. Adding the EVF loupe to the monitor is amazing and really adds to your visibility, particularly in low light, for viewing the image. On top of this it’s essentially making your viewing space far larger by making use of the monitors 4.3inch size.

I will say though if your using Canon Firmware 1.2.1 on your camera (I can’t due to MagicLantern needs) it would be smart to set the colour for your shots off the monitor on camera. The DP4 is great but it still can’t match the camera colour perfectly. With 1.2.1 installed you can now run the camera screen and HDMI out monitor at the same time. If your like me and using ML you will need to set colour on camera then plug in your monitor. While these steps aren’t necessity I would recommend them to help set your shots.

Gear Used:
– Canon 5Dmk3
– Zeiss 50mm T*Planar 1.4
– Scheinder Optics Filters
– SmallHD DP4 EVF

Settings:
– ISO1600
– F2.2 – 4.0
– 1/50
– WB Tungsten

Checkout:
http://www.smallhd.com
http://www.theamenta.com
http://www.magiclantern.fm

– Col B

5Dmk3 – RAW Video Test – ISO100 – Magic Lantern

After visiting some mates I decided I would stop off road side and take a few quick clips in full daylight using the RAW video hack from Magic Lantern. Amazing results is all I can say. All shots were taken at f8, 23.976fps. I used and abused the following gear:
– Canon 5Dmk3
– Magic Lantern
– Zeiss 50mm T*Planar 1.4
– Genus Fader ND 58mm
– Manfrotto tripod

5Dmk3 – RAW Video Test – ISO100 – Magic Lantern from Col B Cadell on Vimeo.

– Col B.