A collection of stills from my up and coming work for The Ophidian Ascension. My first complete work shot entirely in ML raw.
– Col B.
Recently I got together with a great musician and friend of mine Arin (The Construct) and decided to play around with ML raw and my recently acquired KomputerBay 128gb 1050x card. Here’s what came of it:
Canon 5D mkIII
Zeiss T*Planar 50mm f1.4
Zeiss Jena Flektagon 35mm f2.4 MC
SmallHD DP4 EVF
– Col B.
Australian extreme metallers The Amenta recently took the stage at one of Brisbane’s best music institutions, Crowbar. I decided to gear up, take along the 5Dmk3 as well as a newly purchased SmallHD DP4 EVF. I also had a freshly installed build of MagicLantern and took the chance to make this clip in RAW. Also worth noting is that I didn’t ask permission to film the band so if they aren’t stoked with me having this up, then let me know. The clip is just below with a bit of me talking about the SmallHD and firmware updates just following.
All Music and Performance by The Amenta
Using the the SmallHD DP4 EVF for the first time live was a true pleasure. The DP4 is a small but fully functional field monitor with pro features such as Peaking, Focus Assist+, False Colour and a whole heap more. With a relatively simple setup and short programming time (if needed) it really gets into the work quickly. If you get the chance to test one I recommend it, even more so with the EVF attachment. Adding the EVF loupe to the monitor is amazing and really adds to your visibility, particularly in low light, for viewing the image. On top of this it’s essentially making your viewing space far larger by making use of the monitors 4.3inch size.
I will say though if your using Canon Firmware 1.2.1 on your camera (I can’t due to MagicLantern needs) it would be smart to set the colour for your shots off the monitor on camera. The DP4 is great but it still can’t match the camera colour perfectly. With 1.2.1 installed you can now run the camera screen and HDMI out monitor at the same time. If your like me and using ML you will need to set colour on camera then plug in your monitor. While these steps aren’t necessity I would recommend them to help set your shots.
– Canon 5Dmk3
– Zeiss 50mm T*Planar 1.4
– Scheinder Optics Filters
– SmallHD DP4 EVF
– F2.2 – 4.0
– WB Tungsten
– Col B
Another day, another test with RAW. Firstly this is the last one where I don’t support the shot etc. properly. These were purely for making sure ML is running correctly. Another use of this test was to see what footage taken at ISO1600 would look like in RAW.
The advantage of RAW being that you can shoot at high ISO and clean the image to remove most, if not all unwanted noise. Then add a little bit of film grain back in and voila!
More serious tests coming this weekend.
– Col B.
We prevailed in the bushlands of hot and sweaty Queensland for two days and nights to create the video for ‘A Stone Face of Piety’. My latest work for The Schoenberg Automaton. This is the most elaborate and intricate work I have completed to date, along with being my personal favourite video as I was allowed to develop and create the entire concept from scratch. Along with this we needed to create 3rd Person Snorri rigs along with classic Snorri setups to get the desired shots. Below are the videos to both Youtube and Vimeo as well as a comprehensive gear list. Oh yeah Slenderman might pop up 😉
Genus Fader ND’s (52mm, 58mm, 77mm)
Jag35 Shoulder Rig
DIY 3rd Person Snorricam
2000+ Watts of Continuous Lighting (Night shots)
Adobe Premiere CS5.5
Colour in Magic Bullet Looks with Cinestyle LOG LUT
Boris Continumm FX
– Col B.
I decided as a weekend project to build one of the DIY Stabilisers going around on the net. Going with the most basic and probably practical I followed the guidance from http://littlegreatideas.com/stabilizer/diy/
Below are the results, first filmed hand held and then on the Steadicam rig. I’m also not claiming to be a master of Steadicam nor even an average user, but it does show how much of a difference it can make.
– Col B.
UPDATE: So after playing around and trying to work out my needs for this on the job I decided to pick up the Glidecam HD4000. I’ll have footage to show in the near future!