Your name is Ahab, your dad was raped to death before your eyes (soon to be eye) and the perpetrator was none other than a serial attacker known as the Fuchmann. So what do you do? You go into hiding, tap a maple tree and enjoy the syrups of success, only to be brought back into this timeless battle by teaming up with a priest and gay call boy. Yes you read that correctly, so if that offends, then your probably best not to read on as this is one tale that knows how to ramp it up. Father’s Day is not your normal B-Film from the video archives, it’s like a sneaky reach around at your last ever college party. Holding you oh so right, until climax at which point it becomes a rather messy and grotesque affair.
Ahab in Action
The boys at Astron-6 know how to have a 10k party and they do so with oh so much tacky aplomb that you can’t help but smile and snigger at each passing moment. The Canadian troupe are something fresh and fanatical, joining the ranks of other contemporaries like The Soska Sisters, Jason Eisner and The Trost Bros. Their passion for all things DIY in film making are apparent in every frame of Father’s Day from the gore effects to claymation (Harryhausen would be proud, or physically ill) to the hilarity of dialogue delivery.
The lads at Astron-6
Ahab’s one-eyed adventure is one of horror, comedy, gross outs and so much more. After finally getting pulled out of retirement by Father John, a sexually confused man of the clergy and Twink, a gay sex worker who recently witnessed the rather extreme death of his father at the hands of the Fuchmann; this becomes a hell for leather experience. As they race to discover the Fuchmann’s secrets we are confronted with innuendo spewing cops, sister lust, old flames, occult worship and a bunch of surprises I won’t go into here. In short all the elements you would expect to make a classic genre film.
But it doesn’t’ just stop with the story, there’s something more here. This film actually has sharp and witty execution in dialogue. Generally the humour from dialogue in these B movie trips is due to poor screen writing or bad acting; many cases both. But in Father’s Day we are treated to a genre film that both pays homage to it’s trashy past and elevates it above it. You only need to hear the diatribes between Ahab and John in action to understand that Astron-6 know not only who these films are marketed too, but also what we all found so funny about these films growing up. The soundtrack pumps like an 80’s high school dance hall and too me this is one of the finest examples of homage soundtrack work in recent years and probably one of the most memorable; up there with the recent Maniac remake.
Father’s Day is out now in Australia (through Monster Pictures) minus a few cuts here and there due to our useless censors. I mean seriously whats wrong with a little dick biting, it’s just the tip! It should be noted that in the U.S this is a TROMA film release. Yes that company that brought out so many tasty video nasties has got a gem on their hands. Too bad that Kaufman is a piece and started selling illegal copies of Father’s Day at his own arranged screenings, without Astron’s knowledge no less. As the film at the time was banned in Australia and I refused to give him a cent, I ordered the flick off Ebay. If you don’t like my ethic on that, fine, but I’m not lining the pockets of a film shark.
Make some time, get a beer/bong, call your mates around and get ready to throw dicks at your screen. This is the best genre film of it’s style since ‘The Taint’ popped up a few years ago. It’s self aware, gross out fun and I wouldn’t want it any other way. One last thing, CHECK OUT MANBORG!!! It’s the lads next/previous (confusing release stuff) film to be coming out and looks to pay homage to the lord that is Verhoeven. You can grab a copy of that in Australia on the 18th April (http://monsterpictures.com.au/shop/manborg/).
Deep in the wild lands of Queensland, Australia disturbing things are happening. Through my ever vigilant lens I followed the confrontational journey of one man. This is the story of Jake Gerstle and his adventure into the ever encompassing presence that is The Schoenberg Automaton. These stills are silent documentation of events that occurred.
Old video, but never got around to linking it on here. I’ll be posting a couple of these over the next week or so.
Filming was done at two locations across Brisbane. One being the always amazing Sun Distortion Studios (where the performance was filmed) and the other being an abandoned warehouse district on the Northside of town. Pretty stoked with the results, though I would have loved to have had more time to match the colour between the wide angle Tokina 11-16mm and the Zeiss T Planar 50mm f1.4.
Camera was a Canon 7D. Manfrotto, Express35.com and Jag35.com gear was used for supports.
Here is my latest video for the group Kyzer Soze. There are two options,
1)web friendly youtube….
2)vimeo in full hd (warning file size is close to a gig). This really shows the Zeiss lenses (50mm T*Planar 1.4, 35mm Jena Flektagon 2.4) ability with the 7D in low light as well as showing off my new ring light (only $90 bucks).